
Papermaking Collaborations-Janus Press
Papermaking Collaborations-Janus Press
Athenaeum Hall Gallery, Sept. 6-Oct. 31, 2023
Papermaking Collaborations exhibits works by Janus Press, founded by Claire Van Vliet nearly 70 years ago.
The exhibit includes a selection of Claire’s pulp paintings and books.
Claire Van Vliet and Katie MacGregor working on Dido and Aeneas
WHAT IS PULP PAINTING?
Pulp painting is done during the process of making a sheet of handmade paper. The paper mould together with the deckle (a frame around the mould) is dipped into a vat of water with beaten cotton pulp. The deckle traps pulp on the surface of the mould. The mould’s surface is a screen so the water drains away leaving a layer of pulp. The deckle is removed and the mould is pressed onto a felt releasing the pulp onto the felt. At this point adding pigmented finely beaten pulp is a bit like finger painting with applesauce. Stencils can be used and with water the pulp can be manipulated to flow. The pigments are earth also metal oxides which makes them very lightfast. After the image is made another felt is placed on top and the sheet is pressed in a 20 ton hydraulic press. At this point it is still mainly water but the pressure has made an ionic bond of the hydrogen molecules and is Paper ! and can be handled and put in a dryer with air flowing under moderate pressure. Drying time depends on the thickness of the sheet.
The Gospel of Mary – translated by Karen King with Commentary by Rosemary Radford Ruether
Aura – poem by Hayden Carruth – 1977 Pulp painting
Midi/Noon – Leconte de Lisle – translated by John Theobald – 1977
Snow Clouds - 2018
Dido and Aeneas – music by Henry Purcell with text by Nahum Tate – 1989 Co-published with the Theodore Press in Bangor Maine
Earth Curve - Summer 16 - 2004 diptych 2 x 22h x 28w each - pulp painting by Claire Van Vliet at Janus Press Paper Studio
Circulus Sapientiae / Circle of Wisdom – Hildegard von Bingen – 2001 with music performed by Anima of Plainfield Vermont and engineered by Charles Ellers
Ploughed Field - Dusk - 1992 diptych 2 x 27h x 44w each
Batterers - poem by Denise Levertov - 1996 Cover claypaper panel made by Kathryn Vigesaa Lipke in Montreal
(left) Squall 1 - 1992 33h x 44w; (right) Snow Cloud - 1992 33h x 44w
Lilac Wind – poems by W R Johnson - 1983 Co-published with Twinrocker Handmade Papermill in Brookston Indiana
Western Clouds - 1992 33h x 44w